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Poster session 1: Cinema and Photography
- Anna Topolska, Independent Scholar/ University of Michigan (Alumna): The Role of Photography in Shaping Memory of War: 1945 in Poznań, Poland Through the Lens of Zbigniew Zielonacki’s Camera
- James Cleverley, University of Melbourne: Touched by the Past in Christian Schwochow’s Novemberkind (2009)
- Mihaela Precup, University of Bucharest: Belated Witnesses: Memory, Photography, and Graphic Narration in Benjamin Dix’s Positive Negatives
- Aura Nikkilä, University of Turku: Personal and national memories: Photographs and maps in Nina Bunjevac’s graphic novel Fatherland
- Bosak, Georg, Goethe University Frankfurt: Moving bodies – situating and re-politicising deceased migrants within identification and dead care procedures at EU’s external border
- Eyal Boers, Tel Aviv University: “Kippur”, “The Pianist” and “Zwartboek”: National Prototypes or Jewish Outsiders in the Service of National Memory Formations?
- Hande TOPALOGLU, Université Paris Nanterre / ISP (Institut des Sciences Sociales du Politique): The specters of the genocide on silver screens: 1915 in ‘Turkish’ cinema
- Tamara Kolaric, Central European University: Cinema and memory: Remembering the ‘Homeland War’
Harmer James2017-12-10T21:56:32+02:00
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