• Anna Topolska, Independent Scholar/ University of Michigan (Alumna): The Role of Photography in Shaping Memory of War: 1945 in Poznań, Poland Through the Lens of Zbigniew Zielonacki’s Camera
  • James Cleverley, University of Melbourne:  Touched by the Past in Christian Schwochow’s Novemberkind (2009)
  • Mihaela Precup, University of Bucharest:  Belated Witnesses: Memory, Photography, and Graphic Narration in Benjamin Dix’s Positive Negatives
  • Aura Nikkilä, University of Turku:  Personal and national memories: Photographs and maps in Nina Bunjevac’s graphic novel Fatherland
  • Bosak, Georg, Goethe University Frankfurt:  Moving bodies – situating and re-politicising deceased migrants within identification and dead care procedures at EU’s external border
  • Eyal Boers, Tel Aviv University:  “Kippur”, “The Pianist” and “Zwartboek”: National Prototypes or Jewish Outsiders in the Service of National Memory Formations?
  • Hande TOPALOGLU, Université Paris Nanterre / ISP (Institut des Sciences Sociales du Politique):  The specters of the genocide on silver screens: 1915 in ‘Turkish’ cinema
  • Tamara Kolaric, Central European University: Cinema and memory: Remembering the ‘Homeland War’